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“I’ve been looking at [Keret’s] Substack and it’s so witty and enjoyable, and he’s clearly having a wonderful time doing it, I thought, ‘maybe I could do that’” — Salman Rushdie, The Guardian

The Summer of ’76

There was a time when the whole world was on my side, and not always with good reason. The world favored me even when I didn’t deserve it, and loved me more than it should have. That was almost fifty years ago, and even back then it felt overblown. Even back then, I had the feeling that one day the tables would turn, all that goodness would melt away and leave nothing but a red pinch mark.

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Deep in his heart, Yechiel-Nachman had made peace with his prayers going unanswered. Because prayer was the pure yearning for compassion and justice, whereas life was life: cruel, dispiriting, insulting. It was therefore only natural that two such contrasting worlds could never converge. But on October 7, 2023 – the 22nd day of Tishrei in the year 5784 – something in Yechiel-Nachman broke.

Photograph: Bumble Dee/Alamy


"היקום הקורס אל תוך עצמו של קרת הוא היקום שלנו, ולמול התחושה שלא נותרו לנו בו כמעט שום נקודות ייחוס יציבות, הכתיבה הקרתית היא נקודת ייחוס יציבה; ומוכרותה, שבנסיבות אחרות הייתה יכולה לשמש כטיעון כנגדה, הופכת לעוגן חיוני מתמיד. כי בקיום שמשתנה באופן בלתי נסבל כל כך, הופך הקבוע והיציב לאפשרות היחידה שלנו לזהות את עצמנו, לנקודת הייחוס שלמולה אנו יכולים לתפוס את ההשתנות ולאמוד את דרכנו על פני המסלול הבלתי מובן שעושה הכוכב שבו נגזר עלינו לחיות."

- שירי ארצי, ידיעות

“What About Me?“

Written by Etgar Keret and Shira Geffen for “Short Stories on Human Rights“ (2008).

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Random quote

A conversation is like a tunnel dug under the prison floor that you patiently and painstakingly scoop out with a spoon. It has one purpose: to get you away from where you are right now.

"Car Concentrate"

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Third Temple: Israel’s Occupation Is Coming Home

Netanyahu’s government is not here to debate—it’s here to rule, and any resistance is an intifada.

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Words Without Borders, 2010

I believe that there is a truth. I believe it is very difficult to articulate that truth. I try to go in that direction, but I don’t pretend I will get there.

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New York Times, 2012

For Keret, the creative impulse resides not in a conscious devotion to the classic armature of fiction (character, plot, theme, etc.) but in an allegiance to the anarchic instigations of the subconscious. His best stories display a kind of irrepressible dream logic

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