![]() Etgar Keret |
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San Francisco Bay Times interviews Keret I really think that when you write or make films, you try to show how you experience reality. I don’t experience it as realism, which is objective, and something people agree on. The moment you accept subjectiveness, it transcends realism - falling in love is like flying in the air. These experiences happen, and you check them against reality, and they are actually much more relevant than reality. It is a way to describe the world I live in. Here are 2 interviews with Keret "My prime motivation to write stories," Keret said, "is that I want to read them. I would be very happy if somebody else had done it, but they're all lazy . . . , so I have to write it all by myself." As he tells it, his decision to direct "Jellyfish" was a similar story of picking up the slack from the goldbrickers out there.LA Weekly “I write about the violence that I grew up with,” Keret says matter-of-factly. “In a country where, for three years out of their lives, everybody who is 18 lives in a reality where he may kill people or see people get killed next to him, he may do things Americans would never do. I didn’t serve in the occupied territories, but people who do know that if you knock on a door and it doesn’t open, you kick it open. You can play the guitar, read Nietzsche, become a very good dentist, but you’ll still do it. And once you cross that line, it’s very difficult to uncross it. When your girlfriend won’t talk to you and locks the door, you will still know how to kick it open.” Useful lies on the way to becoming a writer:
Hebrew speakers can listen to a Hebrew interview with Keret at Radio Bracha Goleshet. Nextbook podcast with Etgar Keret. |
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